After
my early studies with Miss Wolf, she took me at age 6 to
work with HER teacher, the Filipino pianist Reynaldo Reyes.
He is rather a historic figure in his own country, probably
the first Filipino to achieve significant success in the
classical music field. After studies at the Paris Conservatoire
and amassing an impressive dossier of competition prizes,
Mr. Reyes accepted a teaching position at Towson University
in Maryland. It always seemed a curious place of employment
for such a talented man, but years later I realized that
the modest salary he earned there was rather a fortune when
translated into Filipino dollars. And Reynaldo provided
for his parents, many brothers and sisters, and cousins
back in Manila with that salary.
Anyway,
I look backwards to my years of study with Reynaldo -- ca.
1966 to 1976 when I left for college -- as the time when
I became infatuated with Asia. In the middle of very long
lessons at his Towson studio, the phone would ring and Reynaldo
would answer. Sometimes he spoke English, sometimes French,
Italian, German, Greek or Tagalog. And it simply mesmerized
me how he seemed so comfortable in any and all cultures,
with his gifts and power at language as the key. Naturally
the Tagalog was the most intriguing to me. It still just
sounds like “agol-gola-ulong-balang-telaga”
to my ears (having travelled there twice); but the whole
exoticism of that sound -- not to mention the beautiful
pictures on his studio walls, his charming brothers and
sisters who would drop by from time to time, and Reynaldo’s
own vivid descriptions of Japan, Korea, China and other
places so far away in distance and culture -- made me very
hungry for travelling to that part of the world.
Japan
is a place that grabs you, if you are of a certain persuasion
to be grabbed. I have tried to analyze my gut love for the
country but never really succeeded. There are so many things
to delight in there: the food, the intriguing language,
the unique art forms, the beautiful temples and countryside,
the electrifying cities, pachinko, trains that run to the
nanosecond on time, the cleanest bathrooms in the world,
anime, amazing films, TV samurai nonsense, sumo, etc. etc.
etc. An astounding place, to be sure. But over all, I think
what I love most about Japan is its people and their pride
in what they do. From the owner of the Hanshin Tigers to
the woman who scrubs the steps of the post office, there
is an emphasis on precision, thoroughness, politeness and
professionalism that is simply unmatched anywhere else in
the world. In the United States I often have to explain
to people that, yes, I do play music for a living, not a
hobby; and that teaching is not something I’m just
doing for a while until I get a REAL job (yes, this has
actually been said to me from time to time). In Japan, when
I am introduced as a musician, heads are bowed. When the
fact of my being a University Professor is added, heads
bow even lower. I don’t need adulation, but I sure
appreciate respect for a lifetime of hard work and artistic
achievement. I don’t know if all my Japanese audience
members understand the intricacies of pianistic phrasing,
but they sure do get the fact that I’ve worked a lifetime
to get good at what I do, and they appreciate it. Just as
I appreciate a country that understands a commitment to
excellence.
Some
years ago I decided to study Japanese seriously. There was
a point at which I feared I would be completely unable to
find sustainable work in the United States, and it seemed
the right time to prepare for a wholesale move abroad. It
very nearly came to pass, and in fact of course I did leave
New York City for Canada. Fortunately I didn’t have
to move full-time to Japan. My Japanese is not, as you think,
fluent. I think it will never ever be fluent -- it’s
too difficult for my limited study time and skills. But
I can handle myself teaching a piano lesson in Osaka, and
my spouse Kayoko fills in my holes, so I feel at home there.
I’m jotting these notes off to you from her mother’s
house in Osaka, where I’m spending the bulk of my
sabbatical in 2009-10.